Mood: celebratory
This is a 'TYPERS' post, so if you're not interested in that, be advised...
Alright: today, for the first time EVER, I've finally figured out what the f**k 'Mister Grey-Hair' / 'M.A.' / 'Ainsworth' is really after in the books!
Don't get me wrong: I always had the codger's origins down, and his ultimate motives, too, but as far as the TRUE outlook on his actions (ie: taking a seat on the all-powerful Superior Joint Command and coordinating the Antipathy Project), these remained elusive to me.
I'm not making any sense, I know. What I mean is this: what did Ainsworth actually WANT to be born from the Antipathy Project? Did he want the same result that his underlings ASSUMED was the goal of the project, or something else?
In other words: Did 'M.A.' actually forsee the development of the 'Novanjo' forms of the Raiden-Hybrid pilots? And did he actually WANT that to happen?
Anyway, my point is that I've answered that question in my own mind, and that's important. Not so much to the chapters now at hand, since I don't see Ainsworth appearing again in person for quite some time, but I need to know the answer to that question personally before the grand finale of the series; even if I don't explicitly explain the man's motives in writing I need to understand them MYSELF to make the proper epilogue....
....look: it's analogous to J.J. Abram's explanation of the Cloverfield Monster: he and his staff wrote a detailed story about the thing's origin and mental state, and NONE of it made it into the film, and yet it is integral to the film-making throughout.
Speaking of Cloverfield: I think that movie is the one real reason that my previous chapter, 'Filial Affection', ended the way it did. I originally intended to describe (in brutal and graphic detail) the 'Czech Hedgehog's' rampage through Base-10, up to and including it's/Justin's incapacitation and capture. As it stands now all that's gonna be covered in very brief, nondescriptive conversation between Samantha and the base Doctor in the coming chapter.
The reason for this is simple: when I saw Cloverfield I thought it was a great little monster movie (and innovative, too!) but there was one weakness I saw in it: they showed the monster WAY too much. Even when I was watching it I kept thinking one thing: a mysterious monster is MUCH more scary, and effective, when it REMAINS mysterious and, mostly, unseen.
And when I was finishing up that chapter, I couldn't help but take that advice to heart...